Meredith Ashton
Restaurant Review Part III
3 November 2016
The Grand Lux Café: Convenient
Culinary Tourism
I expected the Grand Lux Café to blow me away with decadence.
The very name bespoke lavish luxury, and the familiar-yet-foreign menu items
promised an exhilarating exercise in culinary tourism. The Lux met my
expectations for grandeur. All that the menu boasted arrived in even larger
portion sizes than the online pictures, and the vast majority of the dishes
tasted as good as they looked.
I initially questioned whether the Grand Lux could pull off
their international, globe-trotting theme. How could a restaurant offering
quite literally everything have a personalized atmosphere? I was pleasantly
surprised to discover that after being in the grand dining room and chiseling
away at the mighty appetizers, the restaurant did have its own ambiance. It was
a large and noisy venue and the menu items were a bit scattered. However, the
large windows overlooking the cityscape and the diversity of interesting
entrees made for a dining experience unique to the Lux.
While I found the Lux to have a specific ambiance, I would
not describe it as global cuisine. At first, I was skeptical that a single
restaurant could truly offer the flavors of the world. The Grand Lux is a
shining example of Long’s “familiar to exotic continuum” in the work Culinary Tourism. The restaurant offers
a true food tourism experience, and the most prominent national flavor of all,
surprisingly, is that of “traditional” American cuisine. Guests can sample
“exotic” ingredients and dishes such as miso and kogi-style marinated short rib
under the familiar structure of more traditional American cuisine such as
burgers and ribs and salmon. For example, the Lux took an “exotic” ingredient
such as miso and, in the case of my dinner, used it as a glaze for a salmon, a
fish that many Americans consider edible and delicious.
The restaurant presents a very convenient type of tourism,
the kind where American tourists can casually consume the cuisine of other
countries while traipsing about the Midwestern city of Chicago. By striving to
present “seductive flavor profiles” from around the globe, as the menu
suggests, the Grand Lux does not succeed in authentically presenting any
culture, aside from that of American culinary tourism.
After this assignment, I have definitely become more aware
of my tourist’s gaze and the role that it plays in how I interact with my world
and my food. In fact, I realized that
while at the Lux, I chose my dishes in regards to what would be “the most
different.” I wanted to consume a truly radical experience apart from the
everyday.
This is also a reason why guests attend restaurants: an
exotic escape. As escaping from culinary tourism is nearly impossible, I think
it’s important that if I am engaging in it, I do it with full awareness and
intentionality. I visited the Grand Lux with the understanding that I was
undertaking a global taste-test, but also that this “test” was primarily an
American construct. Coincidentally, this construct happened to make for a
pretty delicious dinner.
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